Showing posts with label Diana Princess of Wales. Show all posts
Showing posts with label Diana Princess of Wales. Show all posts

Wednesday, July 01, 2020

Whatever happened to Princess Diana's Pistachio and Cream dress by Catherine Walker?

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This dress was worn for the film premiere of An Accidental Hero in 1993 and official events, such as the state banquet for President Mario Soares of Portugal. One of her first official events after the separation announcement in December 1992.  

Lot 17 is described in the Christie's auction catalogue as A Dinner Dress of Eau-De-Nil Green and Cream Silk Crepe by Catherine Walker.
The bodice and long sleeves of this dress are of broad green and cream horizontal stripes. Off-the-sholder, the dress has five jewelled paste buttons placed asymmetrically on the bodice. There are matching buttons on the sleeves. The skirt is slim, with a slit to the knee. 
Although she won rave reviews for this dress, there were also some critics who noted, because of her over developed shoulders, she should have covered them up. It is also interesting to note that the earrings she is wearing are made of the same buttons from the gown.  

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It was sold to Shari Graham for $34,500. She owns this dress as well as my favourite, the cream and salmon one. She has used both her gowns to raise money for charities such as Habitat for Humanity, Meals on Wheels and the American Heart Association. 

© Marilyn Braun 2020 

Thank you for enjoying this article. If you use the information for research purposes, a link to credit the work I've put into writing it would be appreciated.

Christie's Auction Catalogue: DRESSES from the Collection of Diana, Princess of Wales
Diana - Her Life in Fashion by Georgina Howell

Monday, June 29, 2020

Whatever happened to Diana's Red and Black Military Inspired Catherine Walker gown?

The royal family has a long association with the military. Diana herself held several honorary military appointments in Australia, Canada and the United Kingdom, including being Colonel-in-Chief of the 13th/18th Royal Hussars (Queen Mary's Own). She was forced to relinquish these positions upon her divorce. Occasionally she would incorporate military elements into her outfits, with somewhat mixed results. However, that is not the case here. 

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It is described in the Christie's auction catalogue as A Red and Black Dinner Dress Inspired by the Military by Catherine Walker
The bodice is sleeveless with a high neck in Hussar-style, trimmed with black braid and rouleaux. The long skirt, of pleated scarlet silk crepe, is trimmed with scarlet silk soutache brand and rouleaux where it meets the bodice. 
In May 1995 it was worn at the Royal Albert Hall for Red Cross concert to commemorate VE Day. The red and black colours of the British Red Cross, which Diana was Vice-President until she resigned in July 1996. She continued to support the organization, notably during her humanitarian trip to Angola in January 1997.

It was Lot 12 at the Christie's dress auction in 1997, where it sold for $36,800 to the Meijiro Fashion and Art College in Tokyo. They also own the Victor Edelstein Victorian inspired ballgown  and Yuki Torimaru dresses. The College displays them on special occasions and, from time to time, lend them to Kensington Palace for fashion exhibits. 

© Marilyn Braun 2020 

Thank you for enjoying this article. If you use the information for research purposes, a link to credit the work I've put into writing it would be appreciated.

Sources

Christie's auction catalogue: DRESSES from the Collection of Diana, Princess of Wales

Friday, June 26, 2020

Whatever happened to Princess Diana's Regamus ball gown?

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Worn at a ball at Althorp, her family's ancestral estate in 1979, there was little to indicate the global star she would become. At the time of her engagement she had 'one long dress, one skirt and one smart pair of shoes.' When Madame Tussauds requested a dress for her wax figure, Diana gave them this one. You can view the figure here. It was not part of the Christie's auction, but it is still interesting to see how Diana's style evolved from Lady Diana Spencer to the fashion icon who continues to intrigue to this day. 

This off the shoulder, 'Deb gown' was designed by the Couture House of Regamus. It has a nylon lace overlay, with velvet ribbon detail and a matching scarf. Diana and her mother found this dress in the 'French Room' at Harrods. Regamus was a popular brand for aristocratic ladies making their start in fashionable society. 

In 2005, Madame Tussauds auctioned this dress. A bidding war ensued between Kensington Palace and an American nurse, Wendy Rogers-Morris, who is an avid collector of Diana memorabilia. Surprisingly, Kensington Palace lost out. This dress has been exhibited at the Dresses of Inspiration exhibit and at Kensington Palace. 

I cannot locate auction information for Ms. Rogers-Morris to the current owners, Museo de la Moda, in Santiago, Chile. If you visit their Instagram, you can see a short clip of them working on the dress

© Marilyn Braun 2020 

Thank you for enjoying this article. If you use the information for research purposes, a link to credit the work I've put into writing it would be appreciated.

Sources

Wednesday, June 24, 2020

Whatever happened to Princess Diana's Grace Kelly inspired dress?

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When I look at this dress I can't think of anyone other than Grace Kelly. It is understandable as it was inspired by her look in the Alfred Hitchcock film, To Catch A Thief. So, it is hard to separate it from Grace Kelly and see it as a 'Diana dress'. Like many of her dresses, it was designed by Catherine Walker. It was lot 6 at the Christie's auction and is described in the auction catalogue as: A Classic Evening Dress of Chiffon:
Inspired by the classical simplicity favoured by Grace Kelly, the dress is strapless, of pale blue silk chiffon, intricately draped and tucked with a crossover yoke. There is a matching chiffon stole. 
It was worn at the 40th Cannes Film festival in January 1987 and July of the same year to the premiere of Superman IV. She also wore it to the opening of Miss Saigon in 1989 and official portraits by Terence Donovan. 

It has a bit of an interesting auction history. In 1997 it was bought by AMC/WE Tv network for $70,700 along with two others. The network wanted to take their dresses on a shopping mall tour titled 'Princess Diana:  Dresses to Die For.' Understandably, after Diana's tragic death, they quickly changed the title to 'Legacy of Love.' It has been exhibited in a variety of venues, including Dresses for Inspiration, as well as Kensington Palace. 

In 2007, the network tried to sell it on eBay for charity. It went from Christie's Auction House, the premiere auction house dating back to 1766, to EBAY, purveyor of Diana dolls and other royal tchotchkes. 

Let that sink in.    
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Luckily, it did not sell. With a starting bid of $300,000, either it wasn't the right audience or people just knew something so glorious deserved better. Instead it was sold by Julien's Auction House in Beverley Hills in 2011 for $137,500. The current owners are the Museo de la Moda in Santiago, Chile.

© Marilyn Braun 2020 

Thank you for enjoying this article. If you use the information for research purposes, a link to credit the work I've put into writing it would be appreciated.

Sources

Monday, June 22, 2020

Whatever happened to Princess Diana's Tartan and Black Evening Gown?

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There is a strong tradition of Royalty in Scottish life. For generations, the royal family has enjoyed time at their estate in Balmoral and the Queen spends much of her summers there. At Balmoral, she finally gets the chance to relax and enjoy time away from the spotlight. During that time, the royals dress in their finery and hold an annual Ghilles Ball. This dress was made in 1990 for Scottish dancing and I can well imagine Diana, in this dress, trying to keep up with the Queen Mother while doing the Eightsome reel. But in February 1991, she also wore it to the Guildhall to support the The Royal Marsden Hospital Cancer Centre. 

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Lot 33 was designed by Catherine Walker and is described in the auction catalogue as A long dress for Scottish Dancing. 
The long-sleeved black velvet bodice is piped in scarlet velvet with a square neckline. The waist and cuffs are cut to a point as is the bust-line. The full skirt is of green black and red silk in a plaid design, worn over a black organza and black tulle petticoat embroidered with tulle flowers.
It was originally purchased at the Christie's auction for $46,000 by Maureen Rorech Dunkle, who bought 14 dresses at the auction. She created a Dresses For Humanity tour to raise funds for charity. In 2011 she declared bankruptcy and the dresses were auctioned at Waddington's Auction House in Toronto. However, only four of the dresses sold. The remaining 10 dresses were auctioned by Kerry Taylor Auction House in 2013. 

This dress is not included in the catalogue for the Kerry Taylor auction, which leads me to believe it was one of the dresses sold at Waddingtons. I'm not certain who purchased it in Toronto but I believe the current owner is Museo de la Moda in Santiago, Chile. 

© Marilyn Braun 2020 

Thank you for enjoying this article. If you use the information for research purposes, a link to credit the work I've put into writing it would be appreciated.

Sources

My Decade With Diana by Maureen Rorech Dunkle
Christie's auction catalogue: DRESSES from the Collection of Diana, Princess of Wales
Diana's Dresses - Dresses for Humanity Exhibition catalogue

Friday, June 19, 2020

Whatever happened to Princess Diana's Black Silk-Crepe and Diamante dress?

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Diana wore some beautiful dresses during her 1992 trip to India, including a magnificent Mughal beaded gown no one got to see! Although not as colourful, this dress is just as stunning. It was worn with the Spencer tiara, to attend a banquet hosted by Vice President Dr. Shanka Dayal Sharma at the Nizam of Hyderbad, India in February 1992. She also wore it again in March 1992 to the premiere of Hear My Song.

It was lot 39 in the Christie's Auction. It is described in the auction catalogue: A Long Evening Dress of Black Silk Crepe and Diamante Paste Embroidery:

In Empire style, the bodice is embroidered in a manner inspired by Mughal embroidery.The black silk crepe skirt is gently gathered at the bodice. 
 
Catherine Walker, the designer of the dress, offers further insight,

This dress was commissioned for an official visit to India. The more research I did for this dress the more I became lost in the rich complex pattern of Indian culture and its hybridization with the British influence of the Raj. I knew the Princess was intending to wear the Spencer tiara, and my daughter Marianne found a beautiful book for me on the decorative art of India, in which I came upon a sandalwood and ivory inlaid casket whose design seemed to compliment the tiara perfectly. The technical design of the embroidery drew upon this traditional pattern of marquetry, and the flatness of the stones is also particular to Indian jewellery. 

It was originally bought at the Christie's auction by Kate McEnroe, head of American Movie Classics channel/WE Tv for $42,500. They purchased two other dresses at the sale, and acquired a fourth one privately. 

They bought the dresses based on the romance Diana inspired. The network took their dresses on a shopping malls of America tour, with the tagline "Princess Diana's tour of Dresses to Die for". When Diana died, they renamed the tour 'Legacy of Love'. In 2007, the dress was included in an Auctioned Dress Reunion exhibit held at Appleton Museum of Art in Ocala, Florida and later in a Diana, Dresses of Inspiration exhibit. 

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It was subsequently auctioned in 2011 by Julien's Auctions in Beverly Hills for $144,000. The owners are the Museo De La Moda in Chile. They have a reciprocal relationship with Historic Royal Palaces and have lent this dress, and several others, to Kensington Palace exhibits. 

Sources

Christie's Auction Catalogue; DRESSES from the Collection of Diana, Princess of Wales
Catherine Walker - Autobiography of The Personal Couturier to Diana, Princess of Wales

© Marilyn Braun 2020 

Thank you for enjoying this article. If you use the information for research purposes, a link to credit the work I've put into writing it would be appreciated.

Wednesday, June 17, 2020

Whatever happened to Princess Diana's White Lace Coat dress by Catherine Walker?

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Diana never failed to impress with the clothes she wore on official visits. She wore two stunning evening gowns during her visit to France in 1988. This is one of them. 

Described in the auction catalogue as 'An Evening Coat-Dress by Catherine Walker:
The dress is full-length and double breasted. I tis of white lace, embroidered overall in flowers of blue silk and white sequins. The lace embroidery is mounted on white shantung and the dress is lined with white silk. It has self-covered and sequinned buttons. The cuffs are also trimmed with buttons. 
Princess Diana specially commissioned this dress for her trip to France, where she wore it during a dinner hosted by the Minister of Culture, at the Chateau de Chambord. She also wore it to the Royal Opera House in June 1989. 

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Catherine Walker gives more insight into the design:
I chose white lace for this commission because it was a texture common at the court of Versailles, but I tailored it into a modern shame. Given the Princess's sense of panache I really do not know anyone else who could carry off this long sheath of glittering, icy embroidery in quite the way she did.
During this event she also met HSH Princess Caroline of Monaco (Later HRH Princess Caroline of Hanover). Interestingly enough, Princess Caroline, (daughter of Princess Grace of Monaco) had been a speculated bride for Prince Charles in the late 1970s. In 1983, Diana attended her mother's funeral. It was her first solo trip as a member of the royal family.

Lot 53 at the Christie's auction was purchased by Barbara O'Neill from Georgia for $27,600. In 2011 it was sold by Kerry Taylor auctions to the Museo de la Mode in Chile. The museum boasts the largest private collection of Princess Diana and Marilyn Monroe clothes. 

© Marilyn Braun 2020 

Thank you for enjoying this article. If you use the information for research purposes, a link to credit the work I've put into writing it would be appreciated.

Sources

Christie's auction catalogue: DRESSES from the Collection of Diana, Princess of Wales
Catherine Walker - An Autobiography by The Private Couturier to Diana, Princess of Wales
Kerry Taylor Auction Catalogue - 17th March 2011


Monday, June 15, 2020

Whatever happened to Princess Diana's pink Zandra Rhodes dress

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 Zandra Rhodes designed 10 dresses for Diana, this pretty dress was included in the Christie's dress auction in 1997. Lot 47 is described in the auction catalogue as A Mid-Length Dinner Dress in Pink Silk Chiffon.

The fabric printed in white on pink silk, with a design of pearl necklaces and lace. The gathered neckline has a pointed collar, edged with simulated pearls, glass beads and paste with pink satin cording. The skirt, pleated to below the hip has a pointed hem, echoing the pattern on the collar, edged with pearls and glass beads and trimmed with paste in lozenges and circles.

The Princess wore this dress to a State Banquet in Kyoto during her official visit to Japan in 1986, where she is photographed eating with upside down chopsticks. She wore it about three or four times: July 1985 at a Torvill and Dean party, Charleston Manor, Seaford Britain in aid of the London City Ballet and the Purcell school in July 1987. 

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At the original Christie's auction, it was sold to Melissa Scripps for $27,600. It was displayed as part of Suzanne King's Pink Ribbons Charity Exhibits, Dresses for a Cause at the Appleton Museum of Art in 2007, and as part of Kensington Palace's exhibit, Diana, Fashions and Style in 2008. The dress apparently passed through a few hands before it was subsequently auctioned in 2011 through Kerry Taylor Auction house for $35,000. The new owners are Historic Royal Palaces where it is now part of their Ceremonial Dress Collection.

© Marilyn Braun 2020 

Thank you for enjoying this article. If you use the information for research purposes, a link to credit the work I've put into writing it would be appreciated.

Friday, June 12, 2020

Whatever happened to Princess Diana's Sequinned Pink and Cream One-sleeve Gown by Catherine Walker


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So far, this is possibly the only dress whose colour has been influenced by the World Cup Championship. 

Lot 65 in the Christie's auction is described as 'A Long Evening Dress in Ivory Silk Crepe, by Catherine Walker'
The one-sleeved dress is embroidered in pink sequins and woven with gold thread to give the effect of shadowy flowers. The neckline is trimmed with sequins. 
It was worn during an official visit to Brazil in April 1991. The colour of the sequins was a safe one. Catherine Walker noted in her autobiography, 
The Princess of Wales took great care to honour the traditions and feelings of each country that she visited. Shortly before this visit to Brazil, the national football team had lost to Argentina in the World Cup and...in view of these circumstances we should not design anything in green, yellow and blue, which were the official colours of the team and definitely not in blue and white, which were the colours of the Argentinian football team. 
Diana wore it a second time, in August 1991, to the premiere of Stepping Out. She attended the after party where she was photographed laughing and chatting with Liza Minelli. 

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Maureen Rorech Dunkle paid $35,600 for the dress, and as with all of the dresses she purchased, this was a strategic bid, 
"From a geographic standpoint, I wanted most of the continents represented in my collection, and this was the first selection the Princess had worn in South America."
This dress, formed part of her popular Dresses for Humanity tour. In 2010, all of the dresses went up for auction in Toronto. This was a controversial sale and only three of the dresses met their reserve prices. The ten remaining dresses, including this one, were once again auctioned in 2013, this time at Kerry Taylor Auction House. Historic Royal Palaces bought two of dresses, paying £78,000 for this one and a dramatic black velvet Bruce Oldfield dress. Both now form part of the Royal Ceremonial Dress Collection. 

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© Marilyn Braun 2020 

Thank you for enjoying this article. If you use the information for research purposes, a link to credit the work I've put into writing it would be appreciated.

Sources

My Decade with Diana by Maureen Rorech Dunkle
Christies: DRESSES from the Collection of Diana, Princess of Wales Auction catalogue
Catherine Walker - An Autobiography By The Private Couturier to Diana, Princess of Wales
Diana's Dresses - Dresses for Humanity exhibition program

Wednesday, June 10, 2020

Whatever happened to Princess Diana's strapless black Emanuel dress?

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That dress. It wasn't included in the Christie's auction. Surprisingly, it didn't even belong to Diana. It is as iconic as the Revenge dress, but arguably, not as well known. Nonetheless, it marked a turning point in public perception, bookending distinct fashion styles. The 'revenge dress' was seen as powerful, a jettison of the past and royal expectations. The engagement dress was seen as a misstep before she was expected to fall into line. Lady Diana Spencer was 19 year old at her first official event after the engagement announcement. Who knew this unremarkable, nursery school teacher, could be so dazzling? The royals and the press clearly did not know what would hit them. 

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The dress was created by David and Elizabeth Emanuel. It was made of black silk taffeta, with embroidered with black sequins. It was strapless, low cut with a tight corseted bodice and full gathered skirt. Diana would wear many of their outfits including the pink blouse she wore for her Vogue cover shoot and the Diaghliv dress. But no outfits were more significant than this and the wedding dress of the century.  

However, it was not made for Diana. It wasn't new and it had already been lent to actress Liza Goddard. It was a sample Diana saw, hanging on a rail, when she visited their store looking for a 'grown up' dress to wear. She tried it on and loved it and the couple made a shawl of the same material so she could cover up on the night. Little did the Emmanuel's know what a furor the dress would cause, when Diana bent over to step out of the limousine. When Prince Charles exited the car first, he said to the waiting media, 'You want to see what's coming next'. 

She wore the dress on March 9, 1981, at a music and verse recital at Goldsmiths' Hall; her first public event with Prince Charles, after the engagement announcement. At this event she met Princess Grace of Monaco, who was giving a poetry reading at the event. She commiserated with Diana over the media frenzy, joking that it would get a lot worse. Diana's first solo engagement as a member of the royal family would be Princess Grace's 1983 funeral. 

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Although the press and public loved the dress and instantly raised Diana to fashion icon status, the royals were not as impressed. For the royals, black was worn at funerals, not for glamorous events. Forget that Queen Elizabeth II  and Princess Margaret had both worn similar black, strapless gowns in their day; albeit with less cleavage showing. The next day, photos of Diana made headlines, relegating UK Budget Day to the middle of the newspaper. The Iranian edition of Time also found the dress too revealing and had her bare shoulders blacked in. 

After the event, Diana had lost so much weight in the lead up to the royal wedding, she returned the gown to have it taken in. Instead, the Emmanuel's kept the original and made Diana a new, smaller version. Which Diana wore a few years later, without the original's memorable effect. 

 It was auctioned on June 8, 2010 by Kerry Taylor auctions for $276,000. The winning bidder was Fundacion Museuo De La Moda in Chile. Their museum boasts the largest collection of Diana's auctioned dresses. The owner of the museum, Jorge Yarur announced, upon his death, this gown and all of the other Diana dresses he owns, will be donated to Kensington Palace. 

© Marilyn Braun 2020 

Thank you for enjoying this article. If you use the information for research purposes, a link to credit the work I've put into writing it would be appreciated.

Sources

Diana - The Fashion Princess by Davina Hanmer and Tim Graham
A Dress for Diana - David Emanuel and Elizabeth Emanuel

Thursday, August 31, 2017

20 Years Later - A Royal Watcher Remembers


Temple at Althorp
20 years ago, late at night, August 30th, I was flipping through the channels and came across pictures of the tunnel in Paris. Continued watching, I think it was Brian William’s on NBC and he mentioned Diana had been in the crash. After that there was no turning off the TV. I watched the coverage as it unfolded, so to speak. At one point, I think, Tom Cruise called in, denouncing the paparazzi and how it was only a matter of time before something like this happened. I’m paraphrasing but that is what I remember.

At one point Brian mentioned that people were in the tunnel taking pictures. He didn’t say paparazzi, it sounded like gawkers in the tunnel taking photos, which I thought was incredibly odd. This was before smart phones. When, if you took a picture, you had to wait until the film was developed a week later before you saw what you had captured. Why anyone would take photos of such a scene? If it had happened now I would understand. Everyone wants to be a citizen journalist but back then?

Alma Tunnel
Here is what was known at the time I tuned in. Dodi and the driver were dead. Miraculously, two people were still alive – a bodyguard and Diana. Of course Diana was the big story. The news made it out to sound as though it was, not minor, but not deadly. But as the broadcast continued her injuries sounded more serious. And I started thinking. What if she doesn’t die? What if she is badly injured? Paralyzed, confined to a wheelchair or in a vegetative state. What kind of a life would she lead? Given the interest in her, her life would become even worse. Paparazzi wanting to get the picture of Diana in that state. After all, later they were trying to get photos of her dead body. Imagine if she was no longer the beautiful princess everyone had come to know and love. And I found myself thinking, this is a terrible thought, but true. I would love for her to be alive, for William and Harry to have their mother back. But maybe, if she is a shadow of her former self,  she would become such a grotesque curiosity, If she dies, maybe it is better that way. Terrible, right?

I was riveted to the coverage and when Brian William’s announced she had died, it was just shocking. I grabbed one of my books about her and leafed through it. It wouldn’t bring her back but I could look at photos and pretend. I guess.

Alma Tunnel
I woke up that morning and went out and bought all of the newspapers. Throughout the week I bought every magazine I could get my hands on. I think I went in to the local convenience store so many times the owner knew me by name. I still have all of them. Waiting for my children to eventually throw them out when I’m not looking. Yes, I collected everything. Stamps, coins, plates. I wanted proof that I had experienced this moment. I recall listening to the radio and hearing bells tolling and starting to cry. I wasn’t the only one.

At the time I worked at a hospital that Diana used to be patron of. There was a remembrance book for people to sign and I remember one girl coming in and spending a lot of time signing the book. Crying as she wrote. I didn’t speak to her, given my interest in the coverage it was surprising, but I recall it to this day. I didn’t have a blog at the time so I couldn’t share my own feelings with anyone else.

Alma Tunnel
During the week I continued to collect what I could get my hands on. Then the funeral, wall to wall coverage. People crying as the cortege went by. The flowers on the coffin with the ‘Mummy’ card. Elton John singing Candle in the Wind. I even bought the CD of the song. You couldn’t escape the coverage, it was everywhere. And, to be honest, I didn’t want it to end. I wanted to continue experiencing the moment. This was our JFK moment. We would always remember where we were when we heard the news. Just like 9/11. But when her coffin drove though the gates of Athorp, it was over. Or so we thought at the time.

I’ve been to Althorp, seen the Oval Island. Seen the temple with the cross. My macabre thinking is I don’t believe she is buried on that island but we will never know and it doesn’t make any difference does it. I bought plates and books, and visited the Diana exhibit. One part of the exhibit had rose petals on the floor and home movies were playing and watching her, so young and carefree, it made it sadder.

Oval Island where Diana is buried
Althorp
I continued collecting books and memorabilia, until years after she died. As the 20th anniversary approached, book-a-zines came out, photo books. People, Hello, Time. And 20 years ago I would have collected all of it. Now, I have bought ONE. I guess I have become cynical or realize I have run out of room. They have the same pictures. The same anecdotes. The one thing we have now is films about her – from her sons, from her speech coach, etc. I’ve watched two so far, but I would like to watch more. The one from her sons is the only one I really wanted to see. Unfortunately the CBC cut it to pieces, making way for all of the commercials so I haven’t seen the entire thing. I will eventually.

What I have watched shows what a loss she was to the royal scene, to the royal world. Nothing can replace her. Hearing her voice makes it that much sadder. I know people are sick of the specials, it is Diana overload. People are skeptical of her side, but I ask, what harm do these really do? What harm does remembering her do? It was become incredibly commercialized and I think that is one of the reasons I haven’t collected. Not buying these magazines allows me to keep her separate from the commercialization. I’m guilty of it, but right now it bugs me.

So on the 20th anniversary of her death. I hope to remember her the way she was. Reading tweets I see I’m not the only one taking note. People are leaving flowers at Kensington Palace but I’ve never believed it would be the same amount. Charles is getting a bad rap, as always. For today, let’s remember her for the special person she was, not the polarizing figure we have made her out to be.

RIP Diana.

© Marilyn Braun 2017

Photos may not be reproduced without author's permission. Thank you.

Thank you for enjoying this article. If you use the information for research purposes, a link to credit the work I've put into writing it would be appreciated.