Royal Focus: Princess Diana's Wedding Dress

When people attempt to describe the wedding dress of Diana, Princess of Wales, the words voluminous, iconic, meringue, fairy-tale tend to be used. But it's difficult to put into words the impact of it both on fashion and on the memory of those who watched Diana alight from the carriage, as if a 'butterfly emerging from a chrysalis'. Unlike any royal wedding dress before or since Diana's will always be in a league of its own.

The dress, designed by David and Elizabeth Emanuel, took four months to make and was made of ivory pure silk taffeta. The bodice was fitted and boned with a wide frill around the curved neckline. It has embroidered lace panels on the front and back. The sleeves are full and gathered into a taffeta frill at the elbow with lace flounce underneath. The skirt of the dress as full, worn over a crinoline petticoat consisting of many layers of ivory tulle and trimmed around the waist and hem with embroidered lace.

The train, trimmed with lace, was 25-feet long - the longest to date.

The veil, measuring 11 1/2 foot by 40 foot, was hand-embroidered with 10,000 3mm mother-of-pearl sequins. Diana wore the Spencer family tiara for something borrowed. The something old was a piece of lace from Queen Mary, and for something blue, the Emanuel's hand-sewed a little blue bow into the back of the dress. The couple also added a tiny,golden horse-shoe made of 18-carat Welsh gold, studded with diamonds, sewn into the back of the label of the dress.

Diana carried a large, cascading bouquet. On her feet Diana wore slippers by Clive Shilton. Trimmed with lace from the dress, and made of silk duchess satin, dyed to match the color of the dress, the shoes had 542 mother-of-pearl sequins on each pair, each knotted by hand. The fluted heel was made of bits of leather and wood and the soles were hand-painted with the letters "C" and "D" entwined with a heart.

© Marilyn Braun 2010

Thank you for enjoying this article. If you use the information for research purposes, a link to credit the work I've put into writing it would be appreciated.

Royal Focus: Sarah Ferguson, Duchess of York's wedding dress

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When asked about her wedding dress in 1986, Sarah Ferguson said "there will never be a dress to match it." And to date she has been correct. 

Her dress was designed by Lindka Cierach and was made from heavy ivory duchess satin, which was manufactured at Britain's only silk farm, Lullingstone near Sherborne in Dorset.The fabric was chosen because, according to Sarah 'it is the creamiest material in the world. It never creases. It is as smooth as glass and hangs beautifully.'

The champagne color of the dress flattered the bride's hair and skin tone. The design had a renaissance silhouette and the fitted, boned bodice had a dropped waist coming into a point at the front and a lower 'V' at the back. The neckline was gently curved and edged with pearls. The sleeves were full, coming into a simple pearl-edged point just below the elbow. 

The skirt was flat in front, widening on the sides and full at the back. The 17 1/2 foot train flowed from beneath a fan shaped bow and the underskirt was bordered by a silk scalloped lace flounce billowing out the heavy sheen of the satin skirt. The designer's hallmark - heavy beading - was most strikingly evident on the train and was based on Sarah's Coat-of-Arms.  Worked in seed pearls and diamante, the train was embroidered with thistles, bees and hearts and in a nod to Prince Andrew's naval career, anchors, and waves. Rising in a scale at the bottom of the train, a heraldic 'A' led into a double 'S'.  The pure silk tulle veil had scalloped edging and was embroidered with true lover's knots and shimmered with sequins. The total number of bugle beads, sequins, crystals pearls and stones on the wedding dress amounted to 155,000.

The satin shoes were designed by Manolo Blahnik and beaded with bees and ribbons in pearls and diamonds. She wore a necklace of cultured pearls intertwined with 18 carat gold and a diamond pearl pendant. She wore a headdress off fresh flowers - roses, lily petals , gardenias (Andrew's favorite flower) and lilies-of-the-valley. At the end of the ceremony the headdress was removed to reveal a diamond tiara, symbolic of her metamorphosis from commoner to royal. As Sarah recalled 'I had stepped up as the country girl; I would walk back as a princess.'

In her hands Sarah carried an "S' shaped spray of cream lilies, palest yellow roses, gardenias, lilies of the valley and the traditional sprig of myrtle.  

© Marilyn Braun 2010

Thank you for enjoying this article. If you use the information for research purposes, a link to credit the work I've put into writing it would be appreciated.

Resources

Their Royal Highnesses the Duke & Duchess of York by Christopher Warwick and Valerie Garner

Royal Style Wars : The Trend-Setting Fashion Feud Between the Princess of wales And the Duchess of York

Royalty in Vogue by Josephine Ross

My Story by Sarah, Duchess of York

Invitation To a Royal Wedding ( Sarah Ferguson, Prince Andrew by Trevor Hall

Official Celebration of the Royal Wedding by Gordon Honeycombe